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Max Abroad : The Best of Spain

Quite simply writing about the best things Spain has to offer and anything that might crop up along the way. Spain is a lot more than just sun, sand and sea...

Madrid's Disused Metro Station - A Trip back in time
Thursday, February 24, 2022


If you have travelled on the Madrid Metro's line 1 (the "blue" line) you have probably noticed an old station flashing through the train car's windows for a few seconds between the Bilbao and Iglesia stops. This is the now-disused 'Estación de Chamberí', and its history provides an instructive glimpse at the history of the Madrid Metro itself.

One of eight stations on the Metro's first line, the Chamberí station linked the nascent system to the Plaza de Chamberí above. Opened in 1919, this inaugural version of the Metro ran for four kilometres, from Cuarto Caminos to Puerta del Sol. However, this modest start would quickly become a popular and vital part of the urban landscape, expanding rapidly over the following decades to become one of the longest and most comprehensive metro systems in the world.

As part of this progressive expansion, the trains on line 1 were lengthened in the 1960s. This meant the end for Chamberí; built on a curve, and close to both Bilbao and Iglesia, lengthened the station's platform proved both pointless and basically impossible. Chamberí was closed on May 22, 1966. The rails, however, were not moved, nor the trains rerouted, so it served for decades thereafter as the mystery station glimpsed by passengers on trains merely passing through. 

The rails and overhead electric lines continued to be maintained, but the rest of the station fell into dilapidation and disrepair. It remained, however, a sealed example of the transit systems origins, and thus rehabilitation efforts began in 2006 to transform Estación de Chamberí into a museum chronicling the history of the Madrid Metro. Opened in 2008, the museum — called Andén 0, or "Platform Zero" — features a fully restored Chamberí, complete with old ticket offices, turnstiles, maps, and a film about the building of the Metro.


The main attraction, however, is found in the beautifully reconstructed original ads lining the walls of the platform, composed of tiny, brilliantly-coloured tiles just as they were in 1919. Just don't be startled by the trains that still rumble through this abandoned-station-turned-museum, separated from the exhibit area only by a clear glass barrier.

Located on the Plaza de Chamberí, a short walk from either the Bilbao or Iglesia stop on the Metro's line 1. The visit is free, but make sure to get there early, as a there is usually a long line of visitors due to the "one person out, one person in" policy.

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Unassuming from the outside, Spectacular on the inside...
Tuesday, February 15, 2022


Unassuming from the outside, this small building goes practically unnoticed to most people who walk down Gran Via in Madrid. Yet right behind this important artery, there is a church whose austere façade reveals no clue as to the spectacularly breathtaking interior.

Inside the church, the domed ceiling and the walls are richly decorated with frescoes, which have led it to be referred to as “the Sistine Chapel of Madrid.” The elaborate frescoes depict the life and miracles of St. Anthony of Padua.



Built-in the 17th century, this church initially served as a hospital for Portuguese citizens who came to Madrid while Portugal was under Spanish rule. After Portuguese independence, it was dedicated to German pilgrims and its name was changed to the current name, Iglesia de San Antonio de los Alemanes (Church of Saint Anthony of the Germans).

Around 1660, the church’s dome began to be painted according to sketches by the Italian artists Coloma and Mitelli. The frescoes were started two years later, painted by Carreño de Miranda and Francisco de Rizzi, commissioned by King Philip IV of Spain.

A fresco of St. Anthony of Padua, a Franciscan born in Lisbon in 1195, occupies the most important place in the dome. He is depicted kneeling on a cloud receiving the Child Jesus and Virgin Mary with open arms. The different miracles of the saint are represented along the entire upper level of the church, while several sainted kings from history are represented below them.



Under the church, there is a curious crypt with several niches that house corpses of the Spanish royal family, some dating back to the Middle Ages. Nearby there are more niches, where children and some unknown bodies were laid to rest.

The opening hours to visit the church are from Monday to Saturday from 10:30 a.m. to 2:00 p.m. Evenings and Sundays are dedicated to worship. Exceptionally, it may remain closed on certain dates.

A donation of €2 per person is requested to attend to the social purposes of the Brotherhood.



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The Palmeral of Elche
Wednesday, February 2, 2022


The Palmeral (palm groves) of Elche has over 200,000 palm trees and represent a remarkable example of the transference of a characteristic landscape from one culture and continent to another, in this case from North Africa to Europe. The palm grove or garden is a typical feature of the North African landscape, which was brought to Europe during the Islamic occupation of much of the Iberian Peninsula and has survived to the present day at Elche.

 This is the only palm grove of its type anywhere on the European continent, which makes it an exceptional landscape in this geographical context. Arab geographers and European travellers have testified to this exceptional quality throughout history. In addition to the authentic wild forest, many palm trees are cultivated in gardens, the remains of Arab agriculture established over eight centuries ago on the Iberian Peninsula. Archaeological data from the Iberian and Roman periods indicate that these plantations are in fact much older than the Arab palm grove. There is also what survives of a settlement or an urban plan, which can be seen from the cartography of the region. The central core of the town is surrounded by a series of palm gardens before reaching the rural area, where these are more widely scattered, even appearing to be natural woods, without human involvement. Palms also form an essential component of the culture of Elche, manifesting itself in many ways - the processions on Palm Sunday, the Night of the Kings, the town's coat of arms. The origins of the Elche palm grove are attributed to the Phoenicians and Carthaginians in the 1st millennium BC, since dates formed part of their diet. It was with the Arab invasion in the 8th century AD that they began to be cultivated; a network of complex irrigation canals enabled the brackish waters of the Vinalopó River to be used as this area has an annual rainfall of only 300 mm (12 in) The town was later moved northwards to a new location and surrounded by palm groves, so as to recreate a landscape reminiscent of that of North Africa, from where the new settlers came.



Elche was recaptured in 1265 during the reign of Jaime I and its lands were redistributed. The fertile lands on the left bank, irrigated by the main canal (Sequia Major) were granted to those who assisted in the Reconquista; this area contained many groves of date palms, some of which survive to the present day. There were no groves on the right bank (the Magram), where the lands were assigned to Muslim vassals (Moriscos); however, despite the lower fertility of this area, its farmers achieved a high degree of productivity, which was to degenerate sadly when the Moriscos were expelled in 1606.

The date palm trees of Elche are a dioecious species native to western Asia and North Africa. They can grow to a height of more than 30 m and live for over 300 years. The palm groves form a compact group in the eastern part of the town. The boundaries of the plots (huertos) are rectilinear, so they are mostly square or rectangular (a few triangular). They are bounded by "cascabots" (fences of plaited dried palm leaves) or plastered walls of undressed stone 1-2 m high. The trees are planted in single or double rows, following the lines of the irrigation canals. They produce dates for human consumption and the 'White Palm' leaves, used widely all over the Iberian Peninsula for decoration and processional use on Palm Sunday as one may have seen on sale over Easter in many cities around the country.



This area is clearly defined by the natural feature of the Vinalopó River, the historic centre of Elche, and recently developed perimeter areas zoned for non-residential use.

Spaces open to visitors today include the Municipal Park (with some singular buildings and fountains with neo-Arabic inspiration), the Huerto del Cura Garden (declared a National Artistic Garden), the El Palmeral Museum (located in the Huerto de San Plácido garden), and the Route of El Palmeral (which goes through traditional palm groves, and the Filet de Fora palm park)



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