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I Wonder Why...?

I will be writing about aspects of Spanish history and their traditions. I am a very curious person and have always needed to know "why" they do it, and "how" it came about. So over the years while living in Spain I have made a conscious effort to discover "el porque de las cosas" and I will be sharing them with you. I hope you find it as fascinating as I do.

Don Quixote: The Birth of the Novel
Saturday, July 29, 2023

 

Considered one of the foundational works of Western literature, Don Quixote is often cited as the first-ever written novel. Its unique narrative structure and exploration of groundbreaking themes make it an exceptionally influential piece of literature that continues to shape the medium of storytelling.

Origin

Don Quixote was written by Spanish author Miguel de Cervantes Saavedra and was published in two parts, in 1605 and 1615. It narrates the adventures of a man who, after reading too many chivalric romances, decides to become a knight-errant.

A Novel Form

What sets Don Quixote apart as the first novel is its extensive use of character development, plot complexity, and internal consistency. It shocked the 17th-century audience with its new kind of storytelling that centered not on episodic, plot-driven tales, but on nuanced, ever-changing characters and intricate narratives.

  • Character Development: Prior, characters were generally static, archetypal figures who did not change throughout a story. In Don Quixote, characters undergo substantial personal growth and transformation, establishing a new standard for character portrayal.

  • Plot Complexity: Instead of linear, predictable plotlines, Don Quixote introduced complex and layered narratives. It employs plot twists and unexpected story arcs, keeping the reader in constant suspense.

  • Internal Consistency: Don Quixote maintains internal coherence wherein the events follow a logical, believable sequence. This is different from the episodic storytelling prevalent in the pre-novel literature.

Themes

Don Quixote explores themes that were revolutionary for its time:

  • Reality Vs. Perception: The theme of illusion versus reality is a central topic, with the protagonist mistaking ordinary objects and people for extraordinary beings and feats.

  • Humor: Through its use of satire and humor, the book criticizes the popular literature of the time and provides commentary on societal norms.

  • Heroism: Don Quixote's misguided self-image as a valiant knight sparks discussion about the nature of heroism and virtue.

Influence

Don Quixote, as the harbinger of the modern novel, has had a profound impact on literature. Its themes, plot structures, and character development techniques have been imitated, deconstructed, and reinterpreted by a multitude of authors since its publication.

The book stands as a pioneering masterpiece that is a testament to the enduring power of narrative innovation. It remains not only a monument in the history of literature but also a living influence on the novels of today.



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The History of Vinegar in Spain
Saturday, July 15, 2023

Wine vinegar probably came into use in the Iberian Peninsula at around the time when the Iberians were starting to trade with the Phoenicians. Vinegar-making most certianly dates back at least as far as the first Iberian-made wine.

Texts from the Roman period mention vinegar as a substance in habitual use, and some also report on its production and trade. Given that Hispania, and more specifically its constituent province of Baetica (present-day Andalusia), was the main supplier of wine to the Roman Empire, it seems likely to have supplied it with vinegar, too. The first written reference to this appears in the writings of Columella (4-70AD) in the 1st century.

The main Hispanic grape varieties came from the southern and eastern parts of the colony. One of the most prized was one that Pliny (61-112AD) refers to as balisca (though the Iberians called it coccolobis), of which there were two varieties, one that turned dry as it aged and another that became sweeter. There was also a red grape of lesser quality known as aminnea.

One of the best-known wines came from Turdetania (an area that occupied part of present-day Andalusia, including the Jerez area, in Cádiz). It was regarded as a luxury product and was sold in amphorae bearing the inscription vinum gaditanum (wine of Cádiz). Another famous one, mentioned by Pliny, was lauro: held to be one of the best wines in the world, it is thought to have originated in the Liria region, in present-day Valencia.

It makes sense to suppose that areas that produced wine of such quality, and in such quantity, would also have been sources of fine vinegar, though trade-related documents to prove this are few and far between. However, vinegar (acetum) was one of the most highly regarded condiments and preservatives in Roman cuisine and medicine. 

A container of oil (lagoena) , a salt cellar (salinum) and a bottle of vinegar (acetabulum) were regarded as essentials in the home of a citizen of the Roman Empire. The custom survives to this day, and all restaurants in Spain have a receptacle holding different containers of vinegar, oil, salt and pepper at the disposal of customers for seasoning the food if they think it needs it. 

Apicius’ cookery book mentions different categories of vinegar, designated according to their source or flavouring: for example, vinegar from Ethiopia, Syria and Libya; vinegar flavoured with cumin (cuminatum) , aniseed (anetatum), coriander (coriandratum) , and laserpicium (laseratum) .

Not all the different kinds of vinegar used in Roman cooking were wine-derived, however, one favourite was pear vinegar (mentioned in a recipe by Palladius (408-431? - 457/461?), and there were also marrow, bluebell, fig and other fruit vinegar.

In a pattern inherited from the Greeks, vinegar was still consumed in drinks, sauces and preserves. Oxymel, a mixture of vinegar and honey, was still drunk, and one particularly noteworthy sauce, known as oxigarum, was made by adding vinegar to garum; oxycrate, a mixture of water, honey and vinegar, was believed to be an effective treatment for gastric ailments; a mustard sauce (noted by Palladius) was composed of mustard seeds, honey, oil from Baetica and strong vinegar; and there were other sauces for fish, seafood and meat of various kinds. 

The taste for acidic and sweet-and-sour flavours is clearly reflected in Apicius’ recipes: a third of them include vinegar or other acidulates among their ingredients. Vinegar was, of course, still used as a preservative, either in an acid solution in which foodstuffs were immersed, or for boiling some meats (such as duck and other fowl), and certain vegetables (such as helenium and bulbous vegetables).

One of the commonest uses for vinegar in the Roman Empire was as an additive to the water that soldiers drank in the absence of wine. It gave the water a bitter-sweet taste, and the acetic acid served as a disinfectant and kept it drinkable. The acidulated water drunk by Roman soldiers was that period’s equivalent of a soft drink and was known as posca, the word used for the liquid with which the compassionate soldier moistened the lips of Jesus on the cross as described in the New Testament (Mark: 15, 36).

In Europe in the Middle Ages, the habits and customs of the Ancient World continued as far as vinegar was concerned: mixtures with honey (or other sweeteners) and vinegar (oxymel) were still made as sauces for meat and fish, as recipes of that period reflect. For example, the first known Spanish cookery book, the Libre del Sent Soví, written in Catalan in 1324, includes a recipe for a sauce to go with venison consisting of a mixture of “salt, vinegar, arrope [grape must boiled down to a thick concentrate, as sweet as honey] in regular proportions”. This common combination of flavours appears again in the (unknown) author’s advice in a recipe for lamb’s intestines: “Season with salt, bitterness and sweetness”. Oxigarum was still eaten, too, and furthermore, the taste for acidic flavours in cooking became accentuated - a phenomenon that is one of the principal distinguishing features of medieval cooking in Europe.

The Moors who invaded the Iberian Peninsula from 711 on were also fond of acidic flavors in their food: they used fruits such as acidic apples, bitter oranges, pomegranates and other tart fruit. Despite the Koran’s prohibition against drinking wine, some periods were more permissive than others in Muslim Spain and vine growing was never abandoned altogether. Great care was taken, too, of Jerezana grapes, which were famed for their fleshy fruit and were eaten both fresh and dried (as raisins).

The acid-tasting condiments most frequently used in Spanish cooking were grape-derived: verjuice (the juice of unripe grapes, the most acidic of the edible acids) and vinegar. Over-acidity in food was corrected with honey or, later, cane sugar. Vinegar was used for boiling olives, capers and various vegetables, for making sauces and for marinating meat and fish. The marinade consisted of a mixture of sour milk, vinegar and morrî, a type of garum made from the guts of various fish in Al Ándalus. It was also used straight in salads, which were dressed then as now, as encapsulated in today´s popular saying: “La ensalada bien lavada y salada, poco vinagre y muy aceitada” (Salad should be well washed and salted, with just a little vinegar and plenty of oil). Another traditional use for vinegar that was carried through to the medieval period was its therapeutic application: the importance of dietetics from the 14th century on reinstated vinegar as a purgative and digestive aid.

 

 

During the Modern Era in Europe, the medieval preference for flavors with an acidic edge waned slightly, yet mildly acidic elements remain a feature of half the recipes of the period. This enduring predilection for bitter-sweet flavors is still in evidence in post-1750 Colonial Spanish cookery, in which vinegar plays a part, mixed with cane sugar or added as a finishing touch to many dishes. Other traditional uses for vinegar start to be recorded in the dietetic recipe books known since the 16th century by the generic name of ‘libros de mermelada’ (marmalade books), which contain recipes for marmalades made with honey or cane sugar, preserves in vinegar, sauces, spiced wines, and soaps, perfumes and remedies. The reason for this interweaving is that, from the 16th to 18th centuries, cane sugar, honey and vinegar were regarded as dietary remedies. Vinegar was believed to open the pores, thereby helping to convey food to all parts of the body.

Vinegar was a traditionally home-made product that the big sherry companies started to produce (retaining artisan production methods) from the 18th century on. As a rule, winery owners segregated wines afflicted by picado (acetification) into separate cellars so as not to spoil those around it. Vinegar, though a necessity, was perceived as a black mark against a bodega rather than a contribution to its kudos. Therefore vinegar was usually only for domestic use, and it was not until the mid 20th C. that sherry vinegar was exported. Nonetheless, some of the big firms started to devote attention to it.

In the course of the 20th century, sherry vinegar developed into one of Spain’s three regulated Designations of Origin for vinegar. It is made by entirely artisan methods, which entitles it to 3% of residual alcohol and a minimum acidity of 7% by volume. This vinegar gradually acquires a dark mahogany color as it ages: it is made from grape varieties Palomino Fino, Palomino de Jerez (a variety that is becoming increasingly scarce), Pedro Ximénez and Moscatel (all of them whites). Only two types of vinegar are marketed: Vinagre de Jerez, which has been aged for a minimum of six months, and Vinagre de Jerez Reserva, aged for a minimum of two years, but generally much older than the stipulated minimum, sometimes as much as 50 years old, such as Gran Capirete.



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The Shearing of the Beasts
Saturday, July 8, 2023

 

 

 

Last weekend, the young “aloitadores” of Sabucedo, Pontevedra, gathered the wild horses, placed them in a “curro”, shaved them and branded them...

La Rapa das Bestas (The Shearing of the Beasts) is a popular festival which has been in existence since the 18th century. It consists of gathering the wild horses in the mountains, placing them in a “curro” (corral or enclosure), shaving them and branding them. All of this is held in Sabucedo (Pontevedra, Galicia) on the first Saturday, Sunday and Monday of July.

The “curro” in Sabucedo is the most famous of its kind, and its unique feature is that no ropes, sticks or other devices are used to tame the animals. The “aloitadores”, the ones charged with holding the beasts while they are being shaved, may only use their skill and body to perform the job.

 

Another specific feature of La Rapa das Bestas in Sabucedo is that the “bajada”, or the leading of the horses to the place in Sabucedo, is an integral part of the celebration itself, and hundreds of people from Galicia and beyond participate in it. In 2007, La Rapa das Bestas was declared a Festival of International Tourist Interest.
On Saturday morning (the first day), very early and before climbing the mountain, a stirring mass is held where they address prayers to Saint Lawrence, the patron saint of Sabucedo, to ensure that no accidents or other unfortunate events happen during the festival.

 

 

 

 

 



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