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The Culture Vulture

About cultural things: music, dance, literature and theatre.

The day I met DIANA …
Friday, September 2, 2022

 

The day I met Diana…

The Culture Vulture is in nostalgic mood. He’s been sorting out his stuff recently and came across a photo dating back to September 2008. It was a photo of him which recorded the day he met Diana…

 

I’d first heard this remarkable singing voice, as I sat early in January 2008 by an open window in my apartment in Ronda, in Andalucía.  The song was playing on a neighbour’s radio.  I heard it several more times over the following days and discovered that it was a young lady from Málaga called Diana Navarro. 

I checked for the record in the shops locally, but there was nothing doing.  I finally found it a week or so later at Málaga airport as I caught a flight back to the UK, and bought it there and then.  What a buy!

The album24 Rosas, was a pure delight.  Her singing is in a modern flamenco style, but with orchestrated backing music.  I loved it!

DIANA NAVARRO: 14 RosasDIANA NAVARRO: 14 Rosas

DIANA NAVARRO: 24 Rosas

 

Fast forward several months to September 2008 and another visit to Ronda for the Feria de Pedro Romero.  As I always do when I first arrive I check the local paper to see what’s on.  Diana Navarro was scheduled to perform in the bullring at Carratraca (Málaga), an hour's drive from Ronda, on the Saturday night, three nights hence. I must definitely go, I thought. Being single at that time, I tried to find a female companion to accompany me, but failed.  Never mind, I went anyway.

Well, the concert was absolutely fantastic.  It was in the village bullring, which is an old stone affair built into the mountainside outside the village of Carratraca itself.  They’d spelt out the name of the village in candles on the sand of the arena in front of the temporary stage erected for the concert.  It looked beautiful.  As for the concert, it was unbelievably good.  If you think Diana’s voice is good on CD, wait till you hear and see her live!  Apart from being incredibly beautiful, she is quite statuesque and has an amazing presence on stage.  And that voice… well!

Towards the end of the concert I decided I would try and get backstage to speak to her!  Why not? I went round the back where a small crowd had gathered in the hope of seeing her depart.  I approached a large stocky guy dressed in black with long hair, tattoos and a range of facial ironmongery and asked if he was a roadie.  Silly question – of course he was!  

I said I’d come all the way from England especially for the concert (almost true) and might it be possible to have a brief word with Diana.  He said “leave it with me” and sure enough, a bit later he came out and gestured for me to come backstage.  In the meantime I’d asked a young Spanish couple who were also hanging around if they would take a photo of me with Diana – I didn’t have a camera with me – and email it to me if I gave them my email address. They agreed, of course, so Alicia came in with me – they would only allow two of us, for some reason. Her husband, Rafael, was very disappointed, naturally.

After a bit of a wait we were ushered in to meet Diana.  What a lovely lady – she was really humble and so chuffed that I’d ”…come all the way from England” to attend the concert and was intrigued by my tale of how I’d discovered her music.

So we chatted and kissed on the cheek (several times!), she signed a dedication on a publicity photo for each of us and the roadie took some photos.  Alicia was so thrilled and – talk about nervous – she was shaking both before and after our ‘audience’.  We also chatted to a couple of the band members, the guitarist and the drummer, who were just as chuffed that we bothered to congratulate them.

Rafael, who’d been waiting outside all this time, was understandably very envious, as were the huge crowd that had gathered outside in the meantime.

Then it was time to drive back to Ronda, listening to Diana on CD all the way.  Not the same as live, but pretty good all the same…

 

BACKSTAGE: The Culture Vulture, Diana Navarro and Alicia

 

Paul Whitelock

The Culture Vulture is a retired former languages teacher, school inspector and translator, who emigrated to the Serranía de Ronda in 2008, where he lives with his second wife, Rita. He spends his time between Montejaque and Ronda doing DIY, gardening and writing.

 

Tags:  24 RosasandaluciaCarratracaconcertDiana NavarroFeria de Pedro Romeroflamencorecordrondasinger



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PUEBLOS BLANCOS MUSIC FESTIVAL
Friday, September 2, 2022

Pueblos Blancos Music Festival

The 5th edition of this popular series of international rock music concerts known as the Pueblos Blancos Music Festival took place at the end of July 2022. Interrupted for two years by the Covid-19 pandemic, the 2022 festival was eagerly anticipated by locals and visitors alike.

The series of concerts took place over four days and nights in Montejaque (Málaga) and two each in the white villages of Grazalema, Villaluenga del Rosario (both Cádiz) and Ronda (Málaga) and and was organised by Juan Castro (Montejaque), Josu Camacho (Madrid) and Philip Plata (Austin, Texas, USA) via the Fundación Sierra de Libar, a local charity foundation.

60 bands from as far afield as Austin, Texas, Barcelona, Cádiz, Canada, Finland, France and Madrid made up the roll call. The musicians paid their own travel expenses but were provided with board and lodging free of charge by the councils of the four villages involved. They were not paid for their appearances. However, the artistes viewed the festival as a great shop window for their music. One band, Joe King Carrasco, has attended all five festivals to date, but many, such as The History Department, Robin Mordecai and Civas were making their debuts. To a man and woman they all intend to return in 2023, stay for longer and maybe pick up paid gigs on the Costa del Sol, or in bigger cities with a vibrant music scene, once the local festival is over. Indeed, some of the bands this time went on to play gigs in Estepona, Marbella, Madrid, Chinchón, Logroño and Santander.

The aim of the festival is to bring together musicians and the public for meetings and cultural exchanges. This proved to be the case, particularly for me. I was based in Montejaque and had the great pleasure to get to know most of the musicians who played there. Several Texas bands took to drinking tinto de verano on my recommendation as an alternative to the dreadful Cruzcampo, which they swore is worse than the atrocious Budweiser, ubiquitous in the USA.

As well as attending most sessions in Montejaque, I also went to Ronda for the Saturday night session. Performed in the open-air Greek-style theatre, Auditorio Blas Infante, with its stunning mountain backdrop and the setting sun, this was a spectacle and a half. The acoustics were perfect and the atmosphere was buzzing.

My personal favourite bands were, in alphabetical order, Blueroomess (Barcelona), Civas (Madrid), The Del Valle Trustees (Austin), Donovan Keith (Austin), The History Department (Austin), Robin Mordecai (Austin), Sefo (Cadiz), Los Widowmakers (Madrid), and two acts which were totally different, Country and Western duo The Chisum Cattle Company (Madrid) and Jack King Noir, a solo Blues slide guitarist from Finland. There were several jam sessions where musicians who didn’t know each other played remarkable music together. During the final jam session in Montejaque , there was a guest appearance by 14-year-old Diego from England on guitar and drums. We hope he’ll be back next year.

 

Paul Whitelock

The Culture Vulture is a retired former languages teacher, school inspector and translator, who emigrated to the Serranía de Ronda in 2008, where he lives with his second wife, Rita. He spends his time between Montejaque and Ronda listening to live music, doing DIY, gardening, writing and managing his portfolio of holiday rentals.

www.a1-holidays.net 



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